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    Welcome to The Concert Band

    This web site is dedicated to college and secondary school concert and wind bands. It contains information about the various instruments employed, as well as hints about band training (including technique and intonation), conducting, the physical laws the govern sound production, and anything else I think the young musicians who play in these bands might find helpful. Some sections (such as the one on interpretation) are more for band directors than players, of course, but overall I have tried to include something of interest to just about everyone.

    There is also a large section devoted to the activities of the Brass Band Jenderal (BBJ), a Salvation Army band based in Medan, Indonesia. If you are interested in this Band, click here.

    Some of the information on this website has been extracted from my book entitled The Band Director's Handbook: A guide for College and Secondary School Band Directors in Southeast Asia. The book also includes additional chapters on pedagogy and the varying characteristics of different wind band instruments that are not included in this website. It also has a chapter devoted to writing arrangements and transcriptions for wind band. To order a copy of my book, see the publication details below.

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    BBJ stands for Brass Band Jenderal. It means “The General’s Band” in English. The band is based at a Salvation Army Boys home in Medan, Indonesia. Sometimes called “The Medan Band” by foreigners, it was given the name BBJ in 1989 by General Eva Burrows (the Salvation Army’s international leader at the time) when she met band members in Bandung, Indonesia Read about it here.
    This is the section where I intend to post a variety of articles expanding on subjects not discussed in detail on other parts of this website. Click here.

    This website includes several free scores for both wind and brass band that you can download and use with your band. One of my favourites is an arrangement of Handel's Hallelujah Chorus that I wrote for brass band. To take a look as the music, click here. To take a look at the other scores currently available on this website, click here.

     

     

    This book has been written in response to the need for a comprehensive yet affordable guide for wind band directors. It is a practical manual, dealing with the principles of embouchure formation, tone production, and articulation for every major brass and woodwind instrument. Special chapters are also devoted to the fundamentals of conducting and writing transcriptions. In every case, the idea has been to approach the subject matter from the point of view of the non-specialist.

    You can purchase the handbook online

    http://www.mphonline.com.my

    Or From The Amazon.com

     

     

     

    This section discusses some of the basic principles involved in getting beyond the notes and interpreting the music.  Not all of the principles outlined here need to be understood by band members in order to produce a musically pleasing performance. However, the conductor certainly needs to be aware of them if he is to bring out the best in his band! Click here.
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    So Near Yet So Far

    Talented BBJ tuba player Lasnointer Marbun wanted badly to study music in Singapore, a relatively expensive proposition. But in the end, it was English, not money, that stood in his way.

    This article was published in the Singapore Straits Times on August 6, 2011.

    Indonesian tuba player Lasnointer Marbun wanted badly to study music in Singapore, a relatively expensive proposition. But in the end, it was English, not money, that stood in his way.

    The talented 24-year-old musician grew up in a boys’ home in the Sumatran city of Medan because his farmer parents were too poor to bring him up.

    He had his heart set on studying in Singapore’s Nanyang Academy of Fine Arts (Nafa) from 2006, but it was a hard slog mustering the $17,000-a-year course fees on his 800,000 rupiah (S$113) monthly salary as a musician.

    After Noin – as he is often called – shared his Christmas wish to study here so he could be a composer some day, a 30-something Singaporean businessman who wanted to be known only as “Mr Ong” offered to sponsor his three-year course at Nafa.

    The dream was tantalisingly close. Noin flew to Singapore in March and passed Nafa’s audition. Unfortunately, he could not make it through its mandatory English test.

    He returned home a week later and took another stab at passing Nafa’s English requirement by taking the Internet-based Test of English as a Foreign Language in April. But he managed a score equivalent to only 400 out of a maximum 677 points, 100 points shy of Nafa’s requirement.

    It brought Noin to tears. “I felt so sad and disappointed, but what can I do? I know my English is not good.”

    He has since enrolled himself in a four-year programme at Institut Seni Indonesia in Yogyakarta, the country’s premier music school.

    Despite the setback, Mr Ong has stood by him. He bought Noin a S$5,700 E-flat tuba and $900 Acer laptop to compose music. He has also promised to pay Noin’s course fees and living expenses in Yogyakarta, of about S$4,300 a year.

    Mr Ong says: “Noin came across as a sensible young man who is thoughtful yet resolute in living his life. I would like to support him to make it happen.”

    Noin, meanwhile, is grateful for the opportunity to further his studies in music even though his Singapore dream has been dashed for now.

    He doesn’t rule out another attempt at Singapore education. In the meantime, he will hit the books and work on his brass.

    “I must improve,” he says.

     

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